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Bartók forever
Inventio 1 C Major BWV 772
Bartók forever
1:06 Est. Play
Time
22 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 20 1 5 7 100%
Bass 23 0 5 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 20 1 5 7 100%
Bass 23 0 5 6 100%
 
D. Scarlatti - Sonata A Major K. 322
Bartók forever
4:04 Est. Play
Time
82 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 25 0 10 4 100%
Bass 19 0 5 2 98%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 25 0 10 4 100%
Bass 19 0 5 2 98%
 
D. Scarlatti - Sonata D Major K. 345
Bartók forever
5:57 Est. Play
Time
120 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 21 9 5 3 100%
Bass 26 18 6 3 96%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 21 9 5 3 100%
Bass 26 18 6 3 96%
 
Inventio 2 c Minor BWV 773
Bartók forever
2:20 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 0 6 6 100%
Bass 25 0 4 6 93%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 0 6 6 100%
Bass 25 0 4 6 93%
 
Simple "westward" modulating progressions based on the Cycle/Circle of 5ths
Bartók forever
1:20 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 30 35 19 6 98%
Bass 31 0 16 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 30 35 19 6 98%
Bass 31 0 16 6 100%
 
Sonata Eb Major K. 306
Bartók forever
5:55 Est. Play
Time
110 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 23 0 9 7 98%
Bass 32 13 11 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 23 0 9 7 98%
Bass 32 13 11 4 100%
 
Mariä Wiegenlied Op. 76 No. 52
Bartók forever
1:38 Est. Play
Time
43 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 30 47 11 6 100%
Bass 23 5 4 4 100%
Voice Treble 12 0 4 6 81%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 30 47 11 6 100%
Bass 23 5 4 4 100%
Voice Treble 12 0 4 6 81%
 
Chromatic Invention (1)
Bartók forever
0:56 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 0 11 4 100%
Bass 31 0 15 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 21 0 11 4 100%
Bass 31 0 15 4 100%
 
A Hornepype (shortened)
Bartók forever
3:19 Est. Play
Time
76 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Virginal Treble 22 3 3 9 100%
Bass 13 11 0 7 93%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Virginal Treble 22 3 3 9 100%
Bass 13 11 0 7 93%
 
Solo per il cembalo BWV Anhang 129
Bartók forever
3:32 Est. Play
Time
64 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 23 0 7 7 100%
Bass 25 2 8 3 84%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 23 0 7 7 100%
Bass 25 2 8 3 84%
 
Rezitativ und Arie from BWV 82
Bartók forever
6:44 Est. Play
Time
99 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 19 32 5 6 16%
Treble 25 43 9 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 19 32 5 6 16%
Treble 25 43 9 6 100%
Bass 24 0 9 6 98%
Sopran Treble 18 0 7 8 96%
 
O ewger Gott wir bitten dich (2)
Bartók forever
0:50 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 12 0 1 5 100%
Bass 22 0 7 4 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 12 0 1 5 100%
Bass 22 0 7 4 100%
S
A		 Treble 12 0 1 5 100%
T
B		 Bass 22 0 7 4 100%
 
Fuga 14 in f# from WTC II BWV 883 (organ sound)
Bartók forever
5:43 Est. Play
Time
70 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 20 0 6 7 96%
Bass 27 0 11 6 90%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Pipe
Organ		 Treble 20 0 6 7 96%
Bass 27 0 11 6 90%
23 0 9 7 100%
Orgel Treble 4 0 1 10 3%
Bass 4 0 1 9 3%
Bass 2 0 0 7 1%
 
What power art thou? (Purcell, King Arthur Act III aka "Cold Scene")
Bartók forever
2:32 Est. Play
Time
36 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 29 98 10 2 100%
Bass 15 0 5 2 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 29 98 10 2 100%
Bass 15 0 5 2 100%
Violine
I/II		 Treble 19 0 7 2 100%
Treble 18 0 6 2 100%
Basso
Continuo		 Bass 15 0 5 2 100%
Bratsche 19 0 6 2 100%
Bass Bass 16 0 6 4 69%
 
Philipp's Progressions
Bartók forever
1:22 Est. Play
Time
28 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Streichinstrumente Treble 21 38 10 4 100%
Bass 9 0 3 2 36%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Streichinstrumente Treble 21 38 10 4 100%
Bass 9 0 3 2 36%